A radiant Willie Nelson beams through a veil of marijuana smoke on the cover of Rolling Stone. It’s May, 2019 and he’s eighty-six years old. The photo was taken March 15th, one day after Willie rocked Texas Hill Country at an exclusive, intimate music festival he hosts known as Luck Reunion. Some critics said Willie’s performance this year at Luck was his best in the eight years since the festival began. He still tours, too. How does Willie do it? He gives a lot of credit to weed. He also notes that loving well and working hard continue to keep him in the game. And, there’s this: Like me, Willie is a self-proclaimed sentimental and nostalgic sap.
I know all of this because recently I became a little obsessed with Willie Nelson. First of all, his music has always been a part of my life; everyone knows the man is a legendary American roots music outlaw. (He’s also an American stoner outlaw; a country boy raised by his grandparents during the Great Depression who went on to became a longhair more apt to smoke a bong than drink a beer.) Second of all, several years ago Willie came into my life unexpectedly through the mail. Thirdly and best of all, this year Willie came into my life just in time to redirect a run of bad luck. The fact is, there isn’t anything more exciting than getting blindsided by luck. And when it comes to Luck, Texas style, Willie is the man.
The Luck Reunion Music Festival takes place at Willie’s own Luck Ranch in Spicewood, Texas just outside of Austin during the days of the SXSW Music Festival. Tickets are hard to come by and highly coveted. To keep things fair and prices right, Luck Reunion uses a system of four lucky draws. If your name comes up, you can buy two tickets. Only about 2,000 tickets are sold, so if you never win a draw, you are basically out of luck because the chances for scalping tickets are slim.
If you do get lucky and have a chance to make it through the gates at Luck for the festival, you’ll enjoy a full day of the best in American roots music on six stages, you’ll get all drinks on the house, you’ll find the best in local food creations and art, and, of course, you’ll get to hear a grand finale featuring Willie and his family band (yes, that includes his kids and Sister Bobbie) delivering one hit after another with all the feel-good fun you would expect from a successful, satisfied Texan. The entire scene won’t just get you high, it’ll get you feeling sentimental and nostalgic, too. Turns out, science is beginning to extol the benefits of healthy doses of weed, sentimentalism, and nostalgia. But the funny thing is, if anyone has become the unexpected poster child for the joys of weed and faith and fun and luck, it has to be Willie Nelson.
* * * * *
I first heard about Willie Nelson’s Luck Reunion in late February of this year at the same time a long run of personal bad luck seemed to be gaining steam instead of puttering out. My new year, from the get-go, had been defined by bad news: The diagnosis of a serious, painful, chronic illness (son), two consecutive, compromising injuries (husband), life-goal roadblocks (daughter), and serious injury (sister). The crappy blends of bad luck not only cancelled (at the last minute) our traditional family trip and our yearly skiing adventures, but it also snuffed out a few dreams, flooded the worry chambers of my racing brain, and just plain bummed me out.
So after groveling through the early months of 2019 like a timid mouse without a Pixar contract, it finally happened. Luck came my way and when it did, I found myself taking a second look at a misfit guitar hanging on my wall. The one everyone makes fun of. The one that arrived in the mail, from across the country, in a flimsy, torn-up cardboard box. Somehow, the guitar escaped harm. It was more ornamental than instrumental, nevertheless I hung it up on the wall next to other guitars that are played all the time. Why did I hang the guitar up? For two reasons. One: The guitar was purchased at a charitable auction by my brother in a spirit of generosity. Not one to collect things, nor own much of anything, he sent the guitar to me because my husband, my son, and my daughter are all musicians and he thought we might like it. Two: The guitar was signed by Willie Nelson. Yes, of course there are thousands of charitable guitars signed by Willie Nelson; so it isn’t a rare thing to own. But Willie Nelson, himself, is a rare thing. He’s that rare human being who overcomes adversity, isn’t afraid to be an outlaw for art and activism, and doesn’t focus on bitterness, self pity, or despair in spite of running into (and through) more heart shredding episodes of bad behavior and bad luck than anyone deserves. He’s also open minded. Willie Nelson is eager to reconsider long-held positions and take a look at situations from different, often better, perspectives.
Could it be? That the guitar on my wall was a good luck charm? Some kind of fate-filled talisman just hanging around in my home waiting for the right time to make me kick up my heels when all I wanted to do was sit on my butt and stare out the window? Because something kind of cool happened in February when I was sitting on my butt staring out a window on a wall just opposite Willie Nelson’s guitar. My son, the professional musician and an outlaw since long before he was born, called. “Hi Mom.” He said. “I’m playing drums with Lola Kirke at SXSW in Austin. We have two shows. We’ve also been invited to play at Willie Nelson’s Luck Reunion.”
My son.
Performing music as part of a day of peace and love at Willie Nelson’s ranch.
In Texas.
Where Willie Nelson would be performing, too.
I let those thoughts sink in for about a second before I bolted for my computer and looked up how to get tickets. No go. I’d missed all four rounds of the lucky draw. It was enough that I wanted to see my son perform, but then I discovered that the lineup included Mavis Staples. Mavis effing Staples. My heart beat faster. Both Willie Nelson and Mavis Staples are heroic outliers in the realms of American music and American activism. They’d been through a lot. Mavis marched from Montgomery to Selma. I wanted to go to Luck, Texas and get some inspiration from that kind of living history. I had to get to Luck, Texas. Spooky, but true: our family trip, which had been cancelled due to illness and injury, was to have been an excursion to Big Bend National Park near the Rio Grande in Texas…
I stared up at that Willie Nelson guitar hanging on my wall again…
It’s impossible to express the feelings of excitement that kept washing over me as I realized my son would be a part of a peaceful celebration of music and history and passion and art and food and drink hosted by Willie Nelson at one of Willie’s most beloved homes. The mission statement on the Luck Reunion website made every sentimental and nostalgic drop of sap running through my blood simmer with high hopes that luck would get me there: “…Luck Reunion is a movement dedicated to cultivating and spreading the culture of Luck, Texas and the evolution of our American roots. Our goal is to attract and celebrate musicians, artists, and chefs who, like the outlaws and outliers before them, follow their dreams without compromise. By collaborating with a group of creators who share our vision, we aim to celebrate the legacies still among us, while lifting up a crop of individuals who share a respect for those who blazed the trails before them. We are on a mission to cultivate the new while showing honor to influence. Join us in preserving the legacy of Luck, Texas.” (If this mission statement makes your heart flutter, go to the website and get on the mailing list for next year’s lucky draw.)
As February ended, and March began, I still hadn’t heard from my son about tickets to Luck Reunion. I considered writing a letter to Willie Nelson and pleading with him to let me in. I repeatedly checked the Internet for ticket options.
Nothing.
And then one Sunday night, three days before the 2019 Luck Reunion, I heard a twang near the Willie Nelson guitar hanging on the wall. It was my husband’s phone. I knew it had to be my son texting us. I closed my eyes, crossed my fingers, and hoped to fucking die…and go to Texas heaven.
The text: “I can get you in.”
My husband and I flew to our computers and booked flights, a car, and a little cabin near a lake. I bought Willie’s book, It’s a Long Story. My Life. I watched videos of Mavis Staples. We asked friends which acts they thought we should make sure to see. (All of them!) I pored over maps and decided we’d stay near Austin for the music, then spend time touring through the wildflowers of Texas Hill Country and the history and riverwalk festivities of San Antonio, then return to Austin and fly home. It would be a pilgrimage; because when it comes to religion, I believe in good luck and bad luck. I also believe in the laws of physics. Good luck has to follow bad luck, eventually.
As fast as I could (the trip was only a few days away), I scrambled to pack my things and button up our house and affairs so I’d have some time to start dreaming about sitting with a heaping plate of smokey Texas barbecue and a tall glass of crispy American beer. I sighed just thinking about my clothes getting drenched in the sweet, smokey scent of Big Texas Dreams. If bad luck had taken away hikes with my family in Big Bend and skiing powder in the Canadian Rockies with my true love, you can bet your country-girl boots I sure as hell would take the trade of listening to live music while strolling the dusty lanes of Luck, Texas where Willie Nelson holds his unique party in the ruins of an old west town he built to film one of his movies, “The Red Headed Stranger.” (He nurtures rescued wild horses on his ranch, too!) Furthermore, my son was scheduled to play with Lola Kirke in the Chapel. I love chapels. What could be better than a chapel where the altar is a stage for music? At Luck, the chapel is one of the most intimate stages with great sound. The lineup at The Chapel was superb. In fact, the lineup at the entire festival kept my stomach filled with butterflies. After being down on my luck for so long, I couldn’t wait to lift our spirits in Texas Hill Country.
And so we did. We started out on Rainey Street in Austin, fully energized by SXSW revelers. To our great joy, we found a Oaxacan restaurant down the street from the club where my son was booked to play with Lola Kirke. What a blast.
The next day was Luck Reunion. We didn’t know the details of how we would get into the festival, so we lined up with everyone else, living on a prayer, hoping our names were on a guest list. Eventually, the nerves were too much for me. I held our place in line and my husband went looking for some information. When he returned, he brought two, sparkling VIP passes for the parents (us, of course) of one of New York City’s most dedicated outlaw musicians.
The wows kept coming all day. Fabulous details like fresh flowers on tables and elaborate shrines to the departed souls in American music enhanced the feeling of “being a part of the Luck family.” Hearing and watching as many outstanding musical performances as we could, made us feel so fortunate. In fact, we didn’t stick our VIP passes onto our clothes. We kept them carefully protected inside our pockets. One can never have too many lucky charms.

As for inspiration, it was everywhere. When Mavis Staples took the stage—a stage dedicated to female artists—nostalgia flooded forth. She started with “Slippery People” by the Talking Heads. She belted out “Freedom Highway,” the first protest song her father wrote at the time of the tragic case of Emmett Till and just as the famed Staple Singers were joining Martin Luther King’s fight for civil rights in America. She finished with a fresh performance of “The Weight,” inviting the female performers at Luck on stage to join in. Here’s a fun fact: The iconic version of “The Weight” performed by The Band…for the Last Waltz film…the one with those soulful gospel voices… features The Staple Singers. Pops sings a lead and so does Mavis. Pull it up on the Internet and give it a listen. (That injection of nostalgia? Those chills? It’s all good for you.)
Mavis Staples hasn’t let a bit of her soul wilt. She still believes in the power of music and she still believes in her ability to lead the people forward through her art. She’s almost eighty-years old; totally blessed with superpowers. And how about the way “respect for those who blazed the trails before us” plays out among the up and coming crop of new musicians invited to Luck? My son drummed out Lola Kirke’s new rendition of Rick Danko’s “Sip the Wine” at Luck.
Before Willie Nelson took the stage, my son herded us into the VIP area for something to eat. He showed up with a barbecued (or maybe it was roasted?) alligator head. I hesitated. “Mom.” He said. “Peel away a piece of meat and try it. Don’t you want to say you ate alligator head at Willie Nelson’s ranch?” Like a lot of strange meats, it tasted a little bit like chicken. Then my son said, “I just found out we’re going to be playing at Bonnaroo.” As if the day didn’t already have enough excitement to it.

Willie and his family band took the stage at about 11 PM. It was an epic concert under the party lights of one man’s grand Texas dreams. Willie played hit after hit; every song a crowd pleaser. How the heck does he do it? As he writes in his book, he is a sentimental man. And, like I said earlier, science claims there’s something to be said about the benefits of allowing sappy vulnerability to soothe your soul. Willie writes: “My eyes are closed, my prayers are aimed towards the heavens, but in my gut, I don’t feel worthy of so much good fortune. I sing okay, I play okay, and I know I can write a good song, but I still feel like I’ve been given a whole lot more than I deserve…The fuel is love—love of people, places, animals, plants, water. Love of sound, love of space, love of fireflies and star-filled skies. Love of life. Love of home.”
Seems so simple to believe in love. But it’s not. More Willie: “I’d had my share of low moments, but I was learning that there’s always something you can do. You can train your mind to look up, not down and not back.” But then again: “I try to live in the present tense, but I’m always aware of the power of my past.” If you read Willie’s book, keep a computer handy for the interactive experience of listening in on the extensive varieties of music he’s studied and performed both on his own and with a thrilling collection of the world’s greatest musical artists.
Hope to see you at Luck Reunion next year!

Whiskey river, take my mind
Don’t let her memory torture me
Whiskey river, don’t run dry
You’re all I got, take care of me

The Chapel at Luck.


Lola Kirke and band in The Chapel at Luck.

My son and his friend Lola Kirke after their gig in Austin at the SXSW Music Festival.

All performers are presented with an exclusive Luck Reunion ring and become a forever member of the Luck Reunion family.




Music is magic. It not only takes us back, but also leads us forward.
❤ Show Mercy to the Unlucky ❤
* * * * *


























































































































