The Ruffed Grouse.

On a sunny, bitterly cold day in Vermont, the snowpack depths grew deeper as springtime approached. It flowed in soft routes around and over tree trunks, boulders, streams, farm fields and well-worn hillsides.

Beautiful as ever, it was, to all of us.

Our daughter had come home from college for spring break and we had decided to spend the time together, retreating into winter’s encore and greeting spring from the tops of Vermont’s ski mountains.

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The daylight flashed sparks of winter’s last light, beckoning us to come walking in the woods, just before sunset on our first day in Vermont. We packed up some appetizers with cold beers and traveled only a couple of miles deep into the forest where we made a campfire and sat, feeling how cold it still was and how glorious a campfire will always be. We had arrived, again, to a second-to-last day of winter. Over the years, the last days of winter had taken us to the world’s most beautiful snowcapped mountaintops. I arrive at those summits, ancient. Yet in all my lifetimes, never have I, nor never shall I, conquer the mountaintop. I am destroyed by the sublime magnificence of being there, every time. My tears barely drop, before the high-alpine air changes them into snowflakes that take flight. I follow them. Some I catch. Some disappear forever.

One of those timeless snowflakes flew from the top of Rendezvous Bowl in Jackson Hole, Wyoming where so many years ago, my daughter and I skied through deep powder snow that buried her strong little body. She had to go potty, now, and the potty was all the way at the bottom of the mountain, 4,000 vertical feel away. “I can wait till I ski down the mountain, Mommy,” she said. I followed her rainbow-shining trail of snowflakes, and have continued to do so, through the stratosphere of times gone by, and into the triumphs, trials, and tribulations of our lives together, today.

A mother slips into such memories, whenever she is spending time with her children.

Our campfire blazed heat, but the sun was setting fast with no moonlight to guide our way out. It was time to break our spare snow camp, and leave the forest. We walked until the trees, blackened, weaved paths to the stars through teal-flavored blues, glowing beyond.

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Turning from the sunset, there was Jupiter, though we weren’t sure what we saw. It was a dazzling light acting like the most gigantic snowflake that ever hesitated to fall from the sky. We were lucky. Our feet left the ground at the sight of it and we soared, tumbling and gliding through the final hurrahs of the day.

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*****

Every season has its last call. When I sense it’s coming, it makes me anxious. I never get enough and will wave my arms at the heavens, shouting out to, and pleading with, the Great Bartender in the Sky:

One more round!

Winter’s sun moves, the light comes up, and I am at last kicked out of one season and left to go in search of the next.

I nurse the long goodbyes, the indulgent farewells. Like time spent with our dearly beloveds, time within New England’s seasons is a joyful, focused existence for anyone fortunate enough to live a long life traveling through spring to summer to fall to winter.

Nowadays, I awaken to the sun bouncing along the eastern horizon like a white ball pointing out lyrics to a song. Bird song, frog song, flower song. It has been moving from the right to the left, every day, making leaps one-whole-sun-circle width wide. I can’t stop it. Spring is here.

The signs are everywhere.

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Of course, one sign of spring is the annoying chirp of grouchy New Englanders. They are sick of snow, ice, cold and dark days. I’m not from New England. But I’ve lived here for a long time, almost forty years. When I first moved to New England, from the sunny southwestern Mexican/American borderlands of Arizona, I noticed that the natives weren’t the friendliest pickles in the barrel. I gave them the benefit of the doubt. Maybe they are just unhappy about the weather.

There was a pond on the campus of my university where I went on winter mornings with a pair of ice skates. I went there to feel happy. As alone as a seed cast by wintry winds to nowhere, I skated around my own private au natural ice rink. Next, I thought it would be fun to learn how to ski.

Winter was a long season—as long as all the rest, but colder and darker. It was too long of a season to give over to feelings of dissatisfaction. Furthermore, I made an acute observation about winter in the modern world—we have the technology to be outside in wintertime all day long. High-tech gear suits us up like bold adventurers traveling into outer space—and protects us while we cavort and gavotte—down mountains, through woodlands, and over icy lakes and ponds.

There is a poem by William Carlos Williams. Danse Russe. After I found the poem, I often thought of it while twirling around New England in search of people who knew how to enjoy wintertime. One year, I won the spring skiing  mogul competition on Outer Limits at Killington. I was a novice skier and a woman, competing against guys. We revisited those old playground ski trails on the first day of spring with my daughter. I asked my husband to tell it to me straight—had I won the mogul competition because I was the best skier or was it because I skied topless like the guys?

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Danse Russe

If I when my wife is sleeping
and the baby and Kathleen
are sleeping
and the sun is a flame-white disc
in silken mists
above shining trees,—
if I in my north room
dance naked, grotesquely
before my mirror
waving my shirt round my head
and singing softly to myself:
“I am lonely, lonely.
I was born to be lonely,
I am best so!”
If I admire my arms, my face,
my shoulders, flanks, buttocks
against the yellow drawn shades,—

Who shall say I am not
the happy genius of my household?

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Or had I won the competition, as a happy, lonely genius, in my dreams?

I am only kidding about skiing topless. And I’ve never entered any skiing competitions.

But our family does have a tradition for engaging in friendly forms of competition when we are out and about outside. We hand out Rusticator of the Day awards to anyone who earns them. The awards are named after the Rusticators of Acadia National Park, who seized the great outdoors while wearing suits and ties and petticoats.

Our competitions are wide open and there aren’t any rules. You never know if you will earn a Rusticator of the Day Award. It is merely an atta boy or atta girl bestowed upon anyone who carpe diems the rest of us when we least expect it.

My daughter is a great competitor for Rusticator of the Day awards. She is a natural source for magic and creative fun.

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As I have gone through the last days of this historic winter season in the Boston area, letting it go, muttering prayers of gratitude for such an epic experience of endless snowstorms, I have considered the scorn such a beautiful season, filled with so many surprises, arouses in people. Another William Carlos Williams poem comes to mind, The Last Words of My English Grandmother. Here follows last lines from the poem, about his grandmother nearing the end of her life, while in an ambulance heading for the hospital:

What are all those
fuzzy looking things out there?
Trees? Well, I’m tired
of them and rolled her head away.

I hope to never lose my reverence for the power of life in all its forms.

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On the very last day of winter, we were riding the chairlift together, when my daughter pointed to a fat, feathered beast in a grove of trees. “What is that?” She laughed. Everyone’s eyes grew wide with wonder.

Her father said it must be a grouse.

A what? 

A grouse. A Ruffed Grouse.

We have lived, camped, hiked, and biked in the woodlands of New England for all of her twenty years. And it has taken her this long to spot a grouse, hiding out.

She earned the Rusticator of the Day award. I’d never seen one, either. When you see something you’ve never seen before, it feels magical.

Which makes me think of the words Hokusai, one of my favorite artists, said before he died:

“If only Heaven will give me just another ten years… Just another five more years, then I could become a real painter.”

But back to the Ruffed Grouse we saw. They are shy birds and they hide in the snow. Their lives often end in violence, because they hold a vulnerable and valuable position in the food chain. The males create an interesting drumming sound with their wings. In wintertime, they grow projections from the sides of their feet which might be a form of seasonal snowshoe. And, Aldo Leopold wrote this about them: “The autumn landscape in the north woods is the land, plus a red maple, plus a Ruffed Grouse. In terms of conventional physics, the grouse represents only a millionth of either the mass or the energy of an acre, yet subtract the grouse and the whole thing is dead.”

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In terms of conventional time, my life represents the tip of a blip of a snowflake, in the blizzards of one Solar System’s infinite winter storms, melting in the warmth of a spring breeze.

The thought of it makes me hope to never subtract a day from any that belong to all the seasons of my life, because every one of them is a possible harbinger of unexpected magic.

Magic like the rare sighting of a Ruffed Grouse, emerging from a big New England winter, ready for spring.

Snowflakes.

Snowflakes, by Emily Dickinson

Snow flakes.

I counted till they danced so

Their slippers leaped the town,

And then I took a pencil

To note the rebels down.

And then they grew so jolly

I did resign the prig,

And ten of my once stately toes

Are marshaled for a jig!

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Today is the day before my husband’s birthday. He’s a January boy, he loves to ski, and this year a perfect snowstorm arrived in time to help me decorate the house and prepare for his birthday.

Many years ago, when my son was a grammar school boy, the fourth graders had an event called Business Hour. I think they had it once a month or so. During Business Hour, the kids traded arts and crafts or services or baked goods. They earned a form of wampum through completed homework, which they could use to buy anything during Business Hour, or they could just work out their own barter deals. I used to volunteer during Business Hour and ended up shopping most of the time because the kids created things that thrilled my soul.

I have always been a big fan of Kid Art. When you have Kid Art hanging in your house, the prig is constantly reminded to chill and the toes are kept loose for jigs, and the rebel spirit of kid confidence reminds me to infuse a little snowday joy into the times of my life.

All those years ago, I acquired a collection of hand-cut snowflakes from one of my son’s classmates at a Business Hour classroom trade show. Ever since, I have used the treasured collection to decorate the house for my husband’s birthday. I tape each snowflake, delicately, to the bay window near our winter dining area which looks out onto a snowy expanse of gardens where I love being distracted by the comings and goings of robins roosting in the juniper tree to eat the berries. We have a view of our barn, too, when we sit down to share our meals.

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Snowflakes. Harbingers of the happy dance. Here are some from my prized collection:

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And here they are arranged in compositions on the window for our dining pleasure:

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Nonviolence. The Legacy of MLK.

When Martin Luther King, Jr. was murdered, I was in a shoe store in downtown Ft. Wayne, Indiana. The somber news interrupted the store’s calm atmosphere: “Reverend Martin Luther King, Jr. has be shot….” Ever-ready gusts of depression blew in and snuffed out all the excitement of getting new shoes. My birthday was the next day and I was going to be 8 years old. Up until then, my life had been dominated by news reports and images of violence crackling out from radios and onto newly-mass-produced TV screens—Vietnam, Civil Rights, the Cold War—all part of a steady stream of announced assassinations, race riots, protests, campus unrest, impending nuclear annihilation, evil communists. We left the shoe store immediately; my parents feared the city would react violently to the news of MLK’s assassination.

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Five years before MLK was murdered, he spoke in Ft. Wayne on June 5, 1963. Two months before that, he had written “Letter From a Birmingham Jail,” but had not yet delivered his “I Have a Dream Speech,” which would happen three months hence at the March on Washington. A year later, he would be awarded the Nobel Peace Prize.

Dr. John Meister, a pastor of the First Presbyterian Church introduced MLK during his visit to Ft. Wayne: “A glorious disturber of people and the peace.”

At the podium, MLK said, “Some say slow up. You’re moving too fast….But we are through with gradual-ism, token-ism, see how far you’ve come-ism….We have learned to stand up against the evil system—and still not hate in the process. We have discovered that love works miracles.” MLK warned that segregation was not just a problem for the American South, but that de facto segregation existed throughout the country.

King was right. One of the most troubling consequences of de facto segregation was that it created school systems throughout America which did not offer equal opportunities for education to all children. After MLK’s death, Ft. Wayne started trying to integrate their schools. None of us were prepared for the busing of Black kids into our all-white neighborhood schools. One day it just seemed to crash land in everyone’s front yard. Chaos ensued and while the adults were desperately trying to protect their children from harm, their children were desperately trying to make it through the school day. We were sexually and physically and mentally assaulted by each other. Our school bathrooms became war zones. So did the hallways, the lines for lunch, the gym locker rooms. I was a fifth grader in elementary school and the stories I heard about what was happening in the junior high schools and the high schools kept waves of fearful depression washing over me. At one point, I stopped going to school for several weeks. I didn’t tell anyone I was one of the girls being sexually and physically assaulted. I just kept saying, over and over again, “I have a stomach ache.”

*****

In honor of the MLK holiday, I took an excursion up the road through a driving rainstorm to go see the movie Selma. Most people in my region of the world were cheering on the New England Patriots, so I enjoyed a quiet night at the theater for one. I guess the movie isn’t getting the attention some say it deserves. I hope that won’t cause people to dismiss it as unworthy. The movie is not only well-directed with great acting and music, it’s also important because it’s a catalyst—it’s one of those films you go to see and after you see it, you start doing some research. You want to find out for yourself what’s true, what isn’t, and what happened to the people in the film. The movie triumphs as a work of art because it makes you think and thinking for yourself is one of the most crucial ideals of Martin Luther King Jr.’s legacy:

“INJUSTICE ANYWHERE IS A THREAT TO JUSTICE EVERYWHERE.” 

Injustice is everywhere. What do we do when we come upon it?

The legacy of Martin Luther King Jr. suggests that we consider the practices and philosophy of nonviolence. The MLK holiday, along with my excursion to watch the film, Selma, inspired me to learn more about MLK’s philosophy and strategies for nonviolence and how he developed them. One of the greatest men he admired was Mohandas Gandhi, best known as Mahatma (Great Soul) Gandhi:

…I was particularly moved by the whole concept of “Satyagraha”. Satya is truth which equals love, agraha is force; “Satyagraha” means truth-force or love force…As I delved deeper into the study of Gandhi, my skepticism concerning the power of love gradually diminished, and I came to see for the first time its potency in the area of social reform. Prior to reading Gandhi, I had about concluded that the ethics of Jesus were only effective in individual relationships. Gandhi was probably the first person in history to lift the love ethic of Jesus above mere interaction between individuals to a powerful and effective social force on the large scale….It was in the Gandhian emphasis on love and nonviolence that I discovered the method for social reform that I had been seeking for so many months. The intellectual and moral satisfaction I failed to gain from the utilitarians of Bentham and Mill, the revolutionary methods of Marx and Lenin, the social contract theory of Hobbes, the “back to nature” optimism of Rousseau, and the superman philosophy of Nietzsche—I found in the nonviolence resistance philosophy of Gandhi. I came to see it was the only morally and practically sound method for oppressed people in their struggle for freedom.”

In MLK’s 1959 Sermon on Gandhi, he elaborated on points he’d made in a 1957 speech, Birth of a Nation:

“The aftermath of nonviolence results in the creation of a beloved community, so that when the battle is over, a new relationship comes into being between the oppressed and the oppressor. The way of acquiescence leads to moral and spiritual suicide. The way of violence lead to bitterness in the survivors and brutality in the destroyers. But, the way of nonviolence leads to redemption and the creation of the beloved community.”

King emphasized that the Beloved Community was not some utopian Garden of Eden with gentle serpents and luscious apples. The Beloved Community was a community of people devoted to the methods of nonviolence.

King’s study of Gandhi influenced his Six Principles of Non-Violence. In his first book, Stride Toward Freedom, (he was attacked and stabbed while signing copies of the book), he lists the principles:

1) Nonviolence is a way of life for courageous people. It is an active nonviolent resistance to evil. It is aggressive spiritually, mentally, and emotionally. 2) Nonviolence seeks to win friendship and understanding. The end result of nonviolence is redemption and reconciliation. 3) Nonviolence seeks to defeat injustice, not people. 4) Nonviolence holds that suffering can educate and transform. Nonviolence accepts suffering without retaliation. 5) Nonviolence chooses love instead of hate. 6) Nonviolence believes that the universe is on the side of justice. The nonviolent resister has deep faith that justice will eventually win. Nonviolence believes that God is a God of justice.

His Letter From a Birmingham Jail spelled out Six Steps for Nonviolent Social Change (Love in Action):

1) Information gathering. Become an expert on your opponent’s position. 2) Education. Inform others about your position. 3) Personal commitment. Eliminate hidden motives and prepare to accept suffering in your work for justice. 4) Discuss and negotiate. Use grace, humor, and intelligence. Do not seek to humiliate. 5) Use direct action. When the opponent is unwilling to discuss/negotiate—impose “creative actions” to supply moral pressure. 6) Reconciliation. Nonviolence is directed against evil systems, forces, oppressive poles, unjust acts, but not against persons.

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Most important of all to MLK’s activism and legacy was his wife, Coretta Scott King. She isn’t often listed as a great American Black woman, but she is one of the greatest. She was born in Alabama, was the valedictorian of her high school class, and attended Antioch College until she was awarded a scholarship to study voice and violin at Boston Conservatory of Music. Corretta Scott King met MLK in Boston when he was at Boston University. The two married and settled in Montgomery, Alabama. Mrs. King was the mother of four children. In her “spare time,” she composed and performed “Freedom Concerts” which combined prose and poetry narration with music. The funds raised from her concerts supported MLK’s Southern Christian Leadership Conference. Upon her husband’s death, she established the King Center—a legacy to the philosophy and practice of nonviolence. She traveled the globe on goodwill missions, she was arrested for protesting against Apartheid in Washington, she was an author, an activist, and a civil rights leader who championed women’s rights and gay and lesbian rights. She was awarded the Gandhi Peace Prize and more than 60 honorary degrees from colleges and universities. She worked exhaustively to establish the Martin Luther King Jr. holiday and, by doing so, she has kept the spirit of his dreams alive.

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If you watch the movie Selma you will get a sense for how the principles of nonviolence led to, among other things, the passage of the Voting Rights Act of 1965. (1965! In America! Voting rights still being challenged!)

Talk about courage. It takes a lot of mighty hearts, and a lot of people willing to think, in order to rise above the injustice of Selma’s Bloody Sunday and its attendant vicious attacks against human dignity.

Watching authentic footage of the people marching from Selma to Montgomery I found myself wanting to look into the eyes of every freedom fighter. I wanted to touch the power of every heart that must have leaped into the arms of guardian angels that day, praying for the safety of all. Could I ever believe so fully in the weapons of nonviolence? In a situation as dangerous? In a country that claims to protect liberty and justice for all?

If I continue to study the principles of non-violence, and think of those who have practiced them before me, I think I could.

Ten Books to Read Before You Die.

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1. The ones your son gives you.

2. The ones your daughter reads over and over again.

3. The ones your son and daughter were assigned in high school and college.

4. The ones your son and daughter write.

5. The ones your husband reads, even if they’re about industrialists, capitalists, and how to achieve your dreams. Because he always reads the ones you give him to read about artists, dreamers, lovers, and rainbows.

6. The ones your mom and dad are reading and have read.

7. The ones your mom studied so she could master financial independence.

8. The ones your mom and dad give you.

9. The ones your sisters give you.

10. The ones your sisters write.

11. The ones your brothers and sisters give to your son and daughter.

12. The Bible. King James Version. (Might not finish before you die. But there will be versions of these stories wherever you end up.)

13. The Dictionary. (Hahahahaha)

14. The ones your friends, teachers, and spirit guides recommend.

15. The ones your friends write.

16. The one your sister-in-law suggests.

17. The ones you took from “take a book, leave a book” shelves in campgrounds. And the ones you bought from people you met in the gypsy camps–the ones they read aloud on the gypsy stages. Those precious pages of self-published souls.

18. The ones in the homes of your brothers and sisters.

19. The ones your nieces and nephews are reading. And writing.

20. The one your uncle mailed.

21. The ones your cousin gives you.

22. The ones your cousins write.

23. The ones that were dropped off for you when you were lost to grief and couldn’t think, or concentrate, or enjoy anything.

24. Every single one written, by every single one of your favorite authors.

25. Every single one written, by every single unappreciated woman.

26. The ones that protect the art of poetry within their pages.

27. The surprise ones you find in random bookstores in your travels.

28. The ones you read a zillion times to your children, and to other children, out loud.

29.  Read those ones a zillion times more.

30. The ones about love.

31. This is all about love.

Words. Images. Communication.

The ancient art of satire and the art of cartooning can so effectively catch us off guard and make us laugh at ourselves. In the same way that you might learn more about someone when you discover what their favorite books are, or their favorite bands, or their favorite places to travel–the comics and cartoons they enjoy also reveal personality quirks.

I started out reading comics in the Sunday newspapers. The funny pages, as we called them, had a lot of uses: we’d press Silly Putty onto the colored pages to lift off imprints, we made hats out of the festive pages, and we used the Sunday comics as wrapping paper. Mom and Dad posted comics on the fridge:

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If I had some extra money, I’d buy comic books:

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I really liked Charlie Brown.

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When I was a pre-teen obsessed with cute things, I collected the love is comics.

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My university had a funny cartoonist, Paul Catanese. His comic strip, “Bedlam Hall”, branded all of us as last-minute crammers who couldn’t hold our liquor and couldn’t stand the dorm food. But we all thought ducks were cute. Here’s one:


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It says: First square: Engineering nerd with glasses: “Snake sent me here. He says I’m too naive.” Dude with a goatee says: “We can fix that…Dregs will demonstrate how to use a bong.” Second square: Dregs is smoking a bong while the others watch. Third square: Dregs is starting to lift off. Fourth square: “Of course, a hit like that takes years of practice…”

My kids liked Calvin and Hobbes: Here’s one about how much Calvin hates everybody: “My parents are the two stupidest people on Earth.” “Just my luck they’d get married and have me.” “I hate everybody.” “I don’t see how anyone could ever fall in love. People are jerks.” Hobbes chimes in: “Sometimes they are, but look at all the colors on the trees today.” Calvin still grumbles: “Yeah? So what.” Hobbes: “I think it’s more fun to see something like this with someone than just by yourself.” Calvin thinks. “I guessss so…but I’d still rather see this with a tiger than a person.” Hobbes: “Well, that goes without saying.”

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And, my kids liked Garfield:

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It says: “Check out that cute girl over there!” Garfield warns: “And check out her big boyfriend returning with ice cream.” John returns with the ice cream cones plastered onto his chest: “Actually, it’s kind of refreshing.”

I have some old comics still on the fridge:

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The commiseration: “I, too, am disappointed. But perhaps the joy was in the journey.”    (F-Minus/Tony Carillo)  I suppose you only like this cartoon if you grew up playing on playgrounds.

There’s another one on my fridge, by Tony Carillo, that I posted above a picture of my son, (the drummer and multi-talented musician), and my daughter, (the piano and guitar player who likes to sing):

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It says: “Although your baby is quite healthy, our preliminary tests indicate that the child was…born to rock.” And the doctor looks really grouchy, like music department teachers look when they find out kids would rather devote their physical and mental efforts to rocking and rolling instead of playing in the marching/pep band for the football team.

And, just yesterday, I found a funny cartoon worthy of the fridge, which doesn’t happen often.  (Bizzarro by Dan Piraro) It’s a couple of cowboys riding through the Old West and one is riding a donkey piñata.

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Then, today, I found another cartoon to keep. This one will be posted in our barn. It’s Doonesbury (part of a series saga, but this little excerpt works fine for us on its own):

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Hippie Mom and Dad huddled together near a fire hose: Square one, Dad says: “Everything under control, Inspector?” Fireman answers: “Seems to be, you folks okay?” Square two: Dad: “Well, we’re understandably shook up. Any idea what caused the blaze?” Inspector: “Yeah. It started in the barn…” Square three: Inspector: “Looks like it was caused by a burning cigarette. My guess is it was a marijuana joint.” Square four: Dad: “Hear that, Honey? It was those damn kids!” The inspector advises: “You should have kept it locked. That’s what I do.”

I found this cartoon in the New Yorker the year my son was accepted at Bard College. I couldn’t believe it. We delivered him to Bard in our motorhome–where he’d spent all the years of his youth traveling throughout the northeast. It’s a drawing of a boy with a Bard sweatshirt meeting another boy who says to him: “I was motor-home-schooled.”

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Here’s one my son drew when he was little. I think it’s about me.

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Boy watching TV, Mom nags him: “That stuff’s boring! How do you watch it?” And, later, when Mom is gone, he is free and happy to watch, un-assaulted, whatever boring stuff he wants to watch: “Today…on, A Napkin’s Life Cycle…”

Here’s one of my son’s later creations, fifth grade. His characters Lizardo and Dude:

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And lastly, here’s a little cartoon, which is a refrigerator magnet. I bought it in Acadia National Park last fall. I guess this represents something that is always on the minds of those of us who wish the people of the world would learn to stop harming each other with such useless violence.

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Pablo Neruda. Gypsy Camp Visitor.

Gypsies don’t have televisions in their bedrooms. But they have books. This morning I reached for Stephen Tapscott’s translation of Pablo Neruda’s Cien Sonetos de Amor. 100 Love Sonnets. The collection arrived to the world, in Spanish, in 1960. It was the same year I was born. No one in my country of birth knew of Pablo Neruda then, but it would happen soon—that he would become known as a man to revile, during the tumultuous and despairing times of the Cold War, for his political passions and involvements—which spanned the globe.

The book came to me through my son, who read it in high school for an English class. There is some marginalia on page 15 that I recognize as his handwriting: “Sunday: NOTICE NATURE. Bring it in.” What an absurd school assignment for a gypsy child. But it was 2008 or 2009, and, by then, many children in my country had stopped wandering off into nature. (Neruda wrote that he made his sonnets out of wood.) The page also has my son’s drawing of a bird, or maybe it is a bug—with wings—holding a bow and arrow. There are two hearts drawn, shot through with an arrow. They are marked with my son’s initials and those of someone he was thinking about during class. The drawings are underneath Neruda’s unabashed sensuality, represented by words, on the page. Here are the last lines:

     “But my heart went on, remembering your mouth—and I

          went on.

     and on through the streets like a man wounded,

     until I understood, Love: I had found

     my place, a land of kisses and volcanoes.

On page 7, there is a graphic doodle on the left side of the page my son did during class. And many years later, I added my doodles to it.

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And, at last, on dog-eared page 171, is the sonnet I found again this morning.

De viajes y dolores yo regrese, amor mío…”

My love, I returned from travel and sorrow

      to your voice, to your hand flying on the guitar,

      to the fire interrupting the autumn with kisses,

      to the night that circles through the sky.

 

      I ask for bread and dominion for all;

      for the worker with no future I ask for land.

      May no one expect my blood or my song to rest!

      But I cannot give up your love, not without dying.

     

      So: play the waltz of the tranquil moon,

      the barcarole, on the fluid guitar,

      till my head lolls, dreaming:

     

      for all my life’s sleeplessness has woven

      this shelter in the grove where your hand lives and flies,

      watching over the night of the sleeping traveler.”                                                                                                                    

 

Neruda’s dedication in the book, to Matilde Urrutia:

“Señora mia muy amada…”

“My beloved wife, I suffered while I was writing these misnamed “sonnets”; they hurt me and caused me grief, but the happiness I feel in offering them to you is vast as a savanna. When I set this task for myself, I knew very well that down the right sides of sonnets, with elegant discriminating taste, poets of all times have arranged rhymes that sound like silver, or crystal, or cannon fire. But–with great humility–I made these sonnets out of wood; I gave them the sound of that opaque pure substance, and that is how they should reach your ears. Walking in forests or on beaches, along hidden lakes, in latitudes sprinkled with ashes, you and I have picked up pieces of pure bark, pieces of wood subject to the comings and goings of water and the weather. Out of such softened relics, then, with hatchet and machete and pocketknife, I built up these lumber piles of love, and with fourteen boards each I built little houses, so that your eyes, which I adore and sing to, might live in them. Now that I have declared the foundations of my love, I surrender this century to you: wooden sonnets that rise only because you gave them life.”

In my gypsy life, I fell in love with a guitar player. We got married. We found an old barn and took great care in choosing all the wood we used to build the barn up after it had been abandoned and left to die. Inside this little shelter of ours, I read poems out loud. I do it in the same way that my true love plays his guitar—for the simple joy of doing something that brings me pleasure.